Detroit is Different

  • Latest episode: “I Set Up Shop and Built the Vision, Jason Phillips on Art, Ink, and Detroit Legacy”
  • Latest episode: “Breaking Curses, Building Community: Inside the Modern Day High Priestess with Ber-Henda Williams”
  • Latest episode: “From Scripts to Fatherhood: MJ the Don on Creativity, Patience, and Legacy”

  • Latest episode: “I Set Up Shop and Built the Vision, Jason Phillips on Art, Ink, and Detroit Legacy”
  • Latest episode: “Breaking Curses, Building Community: Inside the Modern Day High Priestess with Ber-Henda Williams”
  • Latest episode: “From Scripts to Fatherhood: MJ the Don on Creativity, Patience, and Legacy”

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What Detroiters Should Expect if Mary Sheffield Becomes Mayor

“Sometimes you don’t know what you had until it’s gone—and then you realize it was community.” In this powerful Detroit is Different conversation, Johnny Cannon of Joe Louis Southern Kitchen takes us on a journey that weaves food, family, faith, and legacy into one rich Detroit story. Born and raised on the east side, five generations deep, Johnny reflects on roots stretching from Tuscaloosa and Greensboro to Black Bottom and Paradise Valley, reminding us that “food and culture go hand in hand.” From stumbling into the restaurant business as a dishwasher to building beloved spaces like New Center Eatery, Sweet Magnolias, and now stewarding the global legacy of Joe Louis, Johnny shares how Detroit grit and divine order shaped his path. He speaks candidly about meeting Joe Louis Jr. “over Brussels sprouts and a beer,” and realizing that preserving Joe Louis’ story wasn’t just business—it was cultural responsibility. Through memories of elders banging pots in the streets, seniors gathered around radios, and customers learning history from photos on the restaurant walls, this episode connects the past joy of Black celebration to the future of Black ownership, storytelling, and pride. This is an episode about how legacy lives on the plate, in the neighborhood, and in the choices we make to honor our people.

“Creating safe spaces has always been important to me,” says Kayana Sessoms—and that truth runs like a healing current through this Detroit is Different conversation with the founder of Hitha Healing House, a sacred space born from legacy, loss, and love. Kayana traces her roots through Mississippi, Arkansas, and Detroit’s west side, grounding her story in three generations of Black migration, creativity, and care. From being a “JoAnn Fabrics kid” turning her childhood home into a museum of imagination, to becoming a teenage peer mentor holding space for families in crisis, Kayana shares how affirmation, artistry, and community shaped her calling. She reflects on learning early that healing requires ritual—“ground yourself,” “protect your energy,” “listen in silence”—and how Eastern practices, mind management, and ancestral wisdom became tools for survival and service. Her journey stretches from Detroit to Sierra Leone, Atlanta to Osborne High School, always circling back to access, equity, and Black maternal wellness. The founding of Hitha Healing House after the loss of her father and the birth of her son becomes a powerful meditation on legacy Black culture—how we carry the past, heal in the present, and build futures rooted in care. This episode is a masterclass in why healing is culture, and why Detroit has always known how to do it.

“We hate poverty. We have to find a way to eliminate it.” That’s how Maureen Taylor— a historic Detroit frontline warrior for the poor—sets the tone for this electrifying Detroit is Different conversation recorded inside the historic General Baker Institute. From the moment she says she’s “a blue-collar African American from way back,” Maureen unfolds a legacy woven through Black Bottom, the Great Migration, and Detroit’s first Black-owned cab company founded by her grandfather who came north “my grandfather chased by the Klan but driven by purpose.” She recounts the wealth, ingenuity, and community care that shaped her childhood on McDougall—Halloween streets full of thousands of kids, Polish and Italian neighbors trading pierogis and cheesecake, and a Detroit where “we didn’t need anything else from anybody else.” Her stories move into activism: meeting General Baker after throwing rocks off a college roof, being “saved” by Maryann Mahaffey, organizing with Marian Kramer, and fighting water shutoffs all the way to the Vatican—literally. Maureen’s voice bridges Detroit’s past and future, reminding us why legacy Black culture isn’t nostalgia, but instruction. This episode is a masterclass in resistance, family, faith, and the unbreakable spirit of Black Detroit.

“If it’s not there, you build it.” With that declaration, Jahra McKinney—Director and Director of Collections at the Detroit Sound Conservancy—steps into the Detroit Is Different studio and delivers a masterclass on legacy, love, and the power of preserving Black culture. In this rich conversation, Jahra traces her family’s Detroit story from her grandmother Essie’s legendary Oakland Avenue beauty shop—“she was meticulous… a matriarch”—to the vibrant West Side community that raised her during Detroit’s golden era of neighborhood life. She reflects on becoming an artist and organizer shaped by jazz greats like her late husband Harold McKinney and the intergenerational music ecosystem that “kept Detroit excellent by passing the torch.” Jahra shares how losing Harold revealed the urgent need for a Black-led archive—“I realized nobody was preserving us… so I had to learn to do it myself”—and how that mission fuels the Detroit Sound Conservancy’s restoration of the sacred Blue Bird Inn. This episode is a living bridge between the Detroit that was and the Detroit being rebuilt through cultural memory, community love, and creative discipline. It’s a celebration of the people who “stood on shoulders and became shoulders”—a blueprint for honoring the past while preparing space for the next generation of Black Detroit brilliance.

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