Detroit is Different

  • Latest episode: “How Neighborhood Organizing Shaped Councilmember Latisha Johnson”
  • Latest episode: “Norris Howard From Brightmoor to the Media Shaping Detroit’s Story”
  • Latest episode: “I Wanted to Come Back to the City That Raised Me, Dr. Madeline Walker Miller”

  • Latest episode: “How Neighborhood Organizing Shaped Councilmember Latisha Johnson”
  • Latest episode: “Norris Howard From Brightmoor to the Media Shaping Detroit’s Story”
  • Latest episode: “I Wanted to Come Back to the City That Raised Me, Dr. Madeline Walker Miller”

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What Detroiters Should Expect if Mary Sheffield Becomes Mayor

“I just knew I wanted something different from what I had seen growing up.” Councilmember Latisha Johnson’s story is about discovering Detroit, serving Detroit, and eventually helping shape Detroit’s future. From Kettering High School’s Benjamin Banneker Honors program and summers studying at U of M to working with Detroit’s visitors bureau, Johnson gained a wider view of the city while building relationships and learning how Detroit presents itself to the world. But her path to elected office was grounded even deeper in neighborhood life. She became a block captain, knocked doors around property-tax foreclosure, organized through the East English Village neighborhood association, and helped build MECCA across Morningside, East English Village, and Cornerstone Village. “This is all of our community,” she says, capturing a philosophy that grew from organizing neighbors before representing them. Johnson’s journey offers a look at how neighborhood associations, civic participation, relationship building, and simply showing up can become preparation for public leadership—and why understanding the people on the block matters when you become responsible for decisions on behalf of others as a legislator.

“Detroit the city is not a monolith” Norris Howard’s story moves from Great Migration roots in Birmingham Alabama and Dalton Georgia to a family stretched across Detroit’s east and west sides and his own coming of age in Brightmoor. A Michigan Bell union mother taught him that “Black women are superheroes unto themselves” while his father a Navy veteran and psychiatric nurse at Receiving Hospital offered another window into the city and the world. Howard traces his path from Henry Ford Community College to broadcast journalism at Wayne State where a generation of artists thinkers and creators helped shape Detroit’s cultural energy after the 2008 crash. His memories move from Better Made reds and dollar shows to Belle Isle senior skip day St Andrews ghetto tech and serious questions about media politics development and who Detroit’s future is being built for. “Use downtown It belongs to you” captures his larger challenge to Detroiters listen closely question systems and claim the city as ours.

“I think my non-traditional journey through academia through life is all a result of God’s bigger purpose for my life.” Dr. Madeline Walker Miller’s story moves through family, faith, environmental justice, entrepreneurship, and a Detroit legacy she now feels responsible for carrying forward. Raised in Palmer Woods near Seven Mile and Woodward, with roots stretching through her father’s Detroit family to West Point Georgia and her mother’s North Nashville upbringing, Walker Miller grew up watching her parents build businesses while Oak Grove AME grounded her in community. At Spelman College, environmental science became real while working alongside Black elders who knew “their water tasted funny and that their air was thick.” That people-centered lens followed her through research on textile waste, the launch of NextTiles during COVID, and doctoral study at the University of Michigan examining energy justice and public housing, including the Villages at Parkside. Her journey also comes full circle through Walker Miller Energy Services, where she now works alongside her mother and sees legacy differently: “It would really trouble me if after watching both of my parents work so hard to build what they have I didn’t get involved in some kind of way.” This conversation asks what happens when education comes home to serve people—and what one generation owes the work built by the generation before it.

“We have been locked away from our history all these years.” Olayami Dabls’ journey into Detroit history begins long before the African Bead Museum became a landmark at Grand River and West Grand Boulevard. Arriving in Detroit in the 1960s, Dabls settled on 12th Street, worked at Grace Hospital, witnessed the 1967 Rebellion, and was arrested while simply trying to understand what was happening around him. Then came Vietnam, where a young Vietnamese boy challenged him: “This is not your war. You got a war back home.” That encounter helped turn Dabls toward books, African history, education at Northern High School and Highland Park Community College, and eventually 15 years of work with Detroit’s African American Museum. His search for knowledge became a search for cultural memory. In 1994, two strands of African beads opened another door, teaching him that beads carried histories, identities, protection, energy, and meanings far beyond decoration. That understanding grew into Dabls African Bead Museum and the monumental Iron Teaching Rocks How to Rust installation. “The best way you can control a person is to keep them ignorant,” Dabls says, making this conversation more than one man’s biography. It is a lesson about who defines knowledge, what Black Detroit chooses to preserve, and why Dabls believes “value is determined by what do you have that your ancestors used.” Listen to hear how one Detroiter turned displacement, war, study, art, and African consciousness into a living institution asking future generations to remember who they were before somebody else told them.

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