“I didn’t want to be any attorney. I wanted to be a second chance attorney for our people,” Jade Mathis shares in a Detroit is Different conversation that moves from Black Bottom ancestry to courtroom advocacy and City Hall leadership. Jade’s Detroit story begins with grandparents who migrated from Little Rock and Tuscaloosa during the Great Migration, met in Black Bottom, and built family roots on Dexter and Philadelphia, where her grandmother gardened, fed neighborhood children, and kept beauty alive on the block. Jade carries that same community care into her legal journey. After illness shifted her path from journalism to law, Jade pushed through LSAT setbacks, law school rejection, and taking the bar six times before becoming the attorney she promised God she would be. Her work included the Project Clean Slate, expungements, NAACP service, GED tutoring, and civil rights cases with Attorney Ben Crump traveling the nation, representing families struggling from police killings and fighting through litigation, protest, and grief. Now leading Detroit’s Civil Rights, Inclusion & Opportunity Department, CRIO, Jade brings those lessons home: clean records, recognize grassroots leadership, defend rights, and make government answer to the people’s future.

“Literally all of the creative gifts I have come from him.” Brittini Ward brings that truth into Detroit is Different with a conversation rooted in lineage, love, and the music that raises us. From tracing her family’s migration through Kentucky, Arkansas, Jackson, Mississippi, Parkside, Six Mile, Palmer Park, and Sherwood Forest, Brittini shows how “this creativity, this movement, this dance, this Detroit, this down south” lives in the body before it ever becomes art. She reflects on her father—“drawing,” “pop locking,” DJing, writing, singing, serving as Sergeant Ward, and still making tapes saying “Goodnight, LaMarr Ward, goodnight, Ashlee Ward, goodnight, Brittini Ward” so his children could feel him close. That spirit becomes Baba Juke, her multimedia exhibition at Irwin House honoring music fathers and daughters through oral histories, portraiture, sound, memory, and love. This episode is about more than an exhibit; it is about how Black Detroit preserves fathers, daughters, neighborhoods, and futures through story. It connects the past we inherit to the future we build when memory becomes community practice. Come listen, feel, remember, and bring somebody you love there. Visit Baba Juke at Irwin House Detroit, 2351 West Grand Boulevard, Thursday–Saturday 12 PM–7 PM and Sunday 12 PM–6 PM.

“Detroit is a very special place… the Mecca for Pan-African thought and action.” Baba Mike Anderson, citizen of the Republic of New Afrika, joins Detroit is Different for a powerful episode recorded on Malcolm X Day rooted in Black liberation, memory, and movement. Baba Mike carries us from his North End childhood on John R, where “you didn’t have to leave the neighborhood,” into the political fire of post-Rebellion Detroit, where Black Power, African identity, labor struggle, and self-defense shaped his path. He shares how reading J.A. Rogers, reading the Nation of Islam through the Pittsburgh Courier, meeting General Baker, and being introduced to the Republic of New Afrika awakened his consciousness. “It wasn’t long after that that I took the pledge,” he recalls, becoming a citizen of New Afrika and member of the Black Legionaires, the Republic’s military arm. From New Bethel Baptist Church to African Liberation Day, Baba Mike connects Detroit’s role in Malcolm X, Pan-Africanism, reparations, and revolutionary organizing. This episode is not nostalgia; it is a blueprint. Baba Mike reminds us, “It’s really not about you. It’s about what you leave behind.”

“You don’t tell us who we are, we tell you who we are.” That spirit drives this Detroit is Different conversation with Mallory McMorrow, who is running for a Michigan seat in the United States Senate. This interview opens with roots: how a Jersey-born industrial designer who lived across five states found home in Michigan through road rallies, Detroit architecture, car culture, and the creative question, “What can we build together?” McMorrow shares how her love of cars, Route 66 road trips, and design shaped her belief that even something as basic as “four wheels to get you from point A to point B” can become art, memory, and identity. From building a concept car live at an auto show to graduating into the 2008 economic crash, her story connects Michigan’s industrial past to its political future. Khary brings the Detroit lens—Flint, Roger & Me, blue-collar culture, and the pride of communities outsiders misunderstand. This is a conversation about belonging, reinvention, and why Michigan’s future must be built with the same creativity, grit, and community truth that shaped its past.