Detroit is Different

  • Latest episode: “I Set Up Shop and Built the Vision, Jason Phillips on Art, Ink, and Detroit Legacy”
  • Latest episode: “Breaking Curses, Building Community: Inside the Modern Day High Priestess with Ber-Henda Williams”
  • Latest episode: “From Scripts to Fatherhood: MJ the Don on Creativity, Patience, and Legacy”

  • Latest episode: “I Set Up Shop and Built the Vision, Jason Phillips on Art, Ink, and Detroit Legacy”
  • Latest episode: “Breaking Curses, Building Community: Inside the Modern Day High Priestess with Ber-Henda Williams”
  • Latest episode: “From Scripts to Fatherhood: MJ the Don on Creativity, Patience, and Legacy”

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What Detroiters Should Expect if Mary Sheffield Becomes Mayor

“Everything is political—fashion is political,” says Rachel Lutz, owner of the Peacock Room, and this conversation makes you feel that truth in your bones. Rachel takes us from working retail at Nordstrom alongside women who “retired after decades at Jacobson’s and Hudson’s,” to realizing modern shopping got too same-same—“you walk into a department store and things just all look the same.” She shares why the Peacock Room exists as an antidote: “I wanted to give other people something better than what I had experienced,” especially after growing up with messages that her body was “wrong.” We dig into Detroit business legacy—Rachel is a “fourth generation Detroit business owner”—and how history lives in the spaces we build today, from the Fisher Building’s grandeur to the hard stories of exclusion. She breaks down why she resists tech-for-tech’s-sake—“technology is not always the answer”—and why the Peacock Room centers human connection, pricing across the spectrum, and a luxury feeling for everybody. It’s a masterclass in women-led entrepreneurship, Detroit retail “bleed out,” and how the past can guide a more inclusive business future.

“When I’m ask Detroit? Why? My question is—why not?” Diallo Smith, President & CEO of Life Remodeled, pulls up to Detroit is Different with a love letter to the city that raised him and a blueprint for what comes next. He traces three generations of Detroit roots—from Louisville to “Conant Gardens” to Arkansas sharecroppers who “escaped” Jim Crow to find a future. But Diallo refuses the escape narrative: “I didn’t escape from anything… I was nurtured through good, bad, and indifferent,” held by barbershops, beauty salons, neighbors, and accountability—the everyday infrastructure of Legacy Black Culture. From Wilberforce dreams (with Tech CEOs on his dorm room wall) to corporate Houston, he breaks down how “your habits define your future,” why ownership must include “distribution channels,” and why Detroit neighborhoods are the region’s smartest investment. He explains Life Remodeled’s “with—not to, not for” approach to engage communities, the power of warm welcomes (“how you get treated when you walk in the door”), and why Detroit can be first — this time in showing the world how a majority-Black city revitalizes with dignity.

“Before I leave this earth, I want to tell you about all the greater things I’ve done with others. That is the legacy I want to leave.” That’s Dr. Yusef “Bunchy” Shakur laying it plain—legacy isn’t a title, it’s a collective practice. In this in-studio conversation, Bunchy and Khary move through the full arc: from “a self-proclaimed predator” and “street aholic” in Zone 8 to a transformed leader who says, “I’ve broken that myth” that you can’t return home and build. He talks trailblazing—Urban Network to Mama Akua House—while naming the discipline of humility (“I literally do the work”) and the politics of authenticity in spaces that want you to “play the game.” As the first Black and first formerly incarcerated Executive Director in the Michigan Roundtable’s history, he lays out a vision to “build community power, dismantle stigmas” and shift from “like-minded” to “value people.” This episode connects Detroit’s past—elders, Panthers, block wisdom—to our future: a model of Legacy Black Culture that survives by organizing, not performing, and by building together what we couldn’t get alone.

“Lord, please don’t let ’em take my smile.” Actor Lou Beatty Jr. steps into Detroit is Different with a life that reads like a Detroit map and a history syllabus—North End porches, Oakland Avenue storefronts, and the labor that rebuilt churches and neighborhoods after white flight. He traces his family’s Great Migration from Union, South Carolina—“the automobile industry… afforded these people… a way to make the dollar”—to a Detroit where Black artisans raised steel, laid brick, and even helped build C.L. Franklin’s church: “We hung the steel girders, created altars.” Lou remembers a city alive with sound—“I used to see Smokey walking down the street”—and a worldview sharpened at St. Emma Military Academy and in radio ad sales where he learned, “In business, you want all the money coming at you.” Then Hollywood: “He signed me on Thursday… I was on national TV two weeks later,” but Lou keeps it grounded: “All jobs are honorable… I got to take care of my family.” This episode ties past to future—craft, community, and cultural memory—showing how Legacy Black Detroit survives by turning skill into sovereignty and story into a blueprint. And he reminds us: “Learn it from the bottom up—don’t skip steps.”

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