Detroit is Different

  • Latest episode: “What If? … Don Barden & Michael Jackson Get a Casino”
  • Latest episode: “Dexter Roots, Civil Rights Power: Jade Mathis Carries Detroit Forward”
  • Latest episode: “Music Dads, Daughters, and Detroit Legacy with Brittini Ward”

  • Latest episode: “What If? … Don Barden & Michael Jackson Get a Casino”
  • Latest episode: “Dexter Roots, Civil Rights Power: Jade Mathis Carries Detroit Forward”
  • Latest episode: “Music Dads, Daughters, and Detroit Legacy with Brittini Ward”

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What Detroiters Should Expect if Mary Sheffield Becomes Mayor

“You’ve got to have something you control—and for us, that’s Soul Detroit.” Zana Smith, founder of Spectacles Boutique, as she reflects on 41 years of fashion, funk, and fearlessness in Detroit’s ever-changing downtown. In this deep-dive episode of Detroit is Different, Zana opens up about starting on Dexter in the psychedelic ’70s, when “we were one of the first head shops with Easy Widers and Liquid Silver chains,” to anchoring downtown Detroit with Black fashion, music, and soul. “You don’t go into business for your friends and family. You go into business for your customers,” she states firmly, detailing how her “marriage” to her boutique built the blueprint for longevity. From housing pop-ups and DJs to launching iconic Soul Detroit gear, Zana has cultivated more than just a shop—she’s built a cultural institution. This episode is packed with Detroit history, hard-won wisdom, and humor that only decades in the game can deliver. “Sometimes what’s unknown becomes the biggest reward.”

“If you want to make $100K as a filmmaker, all you need is $11.40 an hour—24 hours a day.” That’s the kind of paradigm-shifting wisdom Timashion Jones drops in this electric episode of Detroit is Different. From childhood summers flipping on mattresses in west side alleys to building cinematic masterpieces screened on Tubi and PBS, Timashion shares how his upbringing in a tight-knit Detroit neighborhood, rooted in Black entrepreneurship and creative hustle, shaped his vision as a filmmaker. “We caught the bus everywhere,” he says. “But once I got that Pontiac 6000, we were EVERYWHERE.” He breaks down how being raised by a mother who ran transmission shops and bounce house businesses inspired his leap from engineering to independent film. From the Emmy-winning “Cody High” documentary to his latest hit “Mirror of Deception,” Timashion tells stories that uplift, educate, and heal. This episode is a journey through legacy, Detroit culture, family, faith, tech, and tenacity. “My mom told me, ‘What’s the worst that can happen? You just go back to work.’ So I bet on myself.”

“I came to Detroit and realized—this ain’t a city you read about. This is a city you live.” In this Detroit is Different episode, Joshua LaMere unpacks a cultural journey that spans from North Minneapolis to the heart of Highland Park, and what it means to truly fall in love with a city that keeps it real. “Detroiters don’t wait for a crisis to care,” he reflects, contrasting the stiff, buttoned-up culture of Minnesota with Detroit’s open-armed grit. Joshua shares how his life changed forever after discovering Nandi’s Knowledge Cafe. “This ain’t gentrification, this is cultural resurrection,” he says, pushing a vision of Highland Park as the next Harlem. Whether it’s Dutch Girl at 2 AM or lessons from Malcolm X, this conversation is Detroit culture.

“Are you gonna paint that, or feel that?” Sydney G. James drops that kind of heat in this no-holds-barred Detroit is Different conversation. She brings the stories behind the Blackout Walls, the politics of public art, and the legacy of Black family in Detroit into vivid focus. “People don’t understand—when I painted at MOCAD, folks walked in and said, ‘This feel like Grandma’s house.’ That’s art!” Sydney shares her journey from drawing cartoons at three to setting visual standards with murals that honor, heal, and celebrate Detroit. “We need pamphlets with every house in Conant Gardens,” she says, lifting up the deep lineage of culture in neighborhoods dismissed as ‘red zones.’ From Cass Tech to CCS, from LA TV sets to East Side lots, this episode is a masterclass in keeping it real, bold, and Black in the city that raised her. “I didn’t paint next to another Black woman until I hired her,” she reveals—making clear why Black women artists must not just be included but lead.

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