Detroit is Different

  • Latest episode: “The Man Who Recorded a Movement: Marsha Music on Her Father, Hastings Street, and the Birth of Detroit Sound”
  • Latest episode: “From Black Bottom to the Tracks: The 94-Year Journey of Ardena Vaughn”
  • Latest episode: “Sweet, Not Soft: April Anderson on Growing a Business on the Avenue of Fashions”

  • Latest episode: “The Man Who Recorded a Movement: Marsha Music on Her Father, Hastings Street, and the Birth of Detroit Sound”
  • Latest episode: “From Black Bottom to the Tracks: The 94-Year Journey of Ardena Vaughn”
  • Latest episode: “Sweet, Not Soft: April Anderson on Growing a Business on the Avenue of Fashions”

“He was one of the first Black independent record producer of the postwar era — and nobody knew.” That’s the spark Marsha Music brings into this powerful Detroit Is Different conversation as she unravels the epic, unsung story of her father, Joe Von Battle — the man who recorded Reverend C.L. Franklin, who cut Aretha’s first records, and who captured the raw blues heartbeat of Black Detroit before Motown ever learned to walk. Through laughter, testimony, and hard truth, Marsha paints a living portrait of migration from Macon to Black Bottom, of a father who “refused to ever work for another man,” and of a city built by people who “carried their music wherever they went.” She shares how tuberculosis quarantines, foundry labor, postwar factory shifts, and the destruction of Hastings Street shaped — and scarred — her family’s journey. But she also gives us the beauty: John Lee Hooker sleeping on their couch, Kenny Burrell’s first recording happening behind the record-shop glass, and the way the Franklin sermons were rushed to the Guardian Building to be broadcast across the country on CKLW. Marsha doesn’t just talk history — she makes it breathe. She shows how the past explains the present: why the rebellion still echoes, why Detroit sound can’t be separated from Detroit struggle, and why honoring “the people who built this place with their hands and their voices” is the key to our cultural future.

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