From Jazz Prodigy to Techno Impact: Inside Ian Fink’s Detroit Renaissance

“I started taking piano lessons when I was four… and by twelve I had swapped classical sheet music for jazz improv—I was playing from my head, not the page,”—Ian Fink dives deep into the layered roots of Legacy Black Detroit, bridging generational migration, jazz lineage, and the raw ingenuity of Detroit’s music scene. In this rich, in-depth episode of Detroit is Different, host Khary Frazier sits down with Ian Fink—a pianist, producer, and conduit of Detroit’s legacy Black culture—to unpack how jazz camp with Rodney Whitaker and Marcus Belgrave set the tone for his artistry, how early classical training at age four paved the way for profound improvisation, and how his classical-jazz foundations seamlessly birthed a sonic switch into house and techno influenced by Detroit icons like Theo Parrish and Scott Grooves. They dig into family history—from Dexter/Linwood’s Jewish-Black narratives to movement between Detroit and West Bloomfield—bringing light to how personal origin stories shape cultural creation. Ian chronicles his transition from working through Video Seven—an artist collective of critical thinkers turned performers—to independently launching Freak Press, producing annual showcases during Movement Festival, and crafting a forthcoming solo piano album under his label. Along the way, he reflects on the significance of reading Black liberation texts, embracing intergenerational Black resistance, and returning to musical performance with ‘a revitalized sense of purpose.’ By threading together stories of legacy, creativity, and reinvention, this episode shows how Detroit’s past and future collide in the sound and vision of a modern-day local legend.