“Back in Detroit is Different studios—my grandma’s house—where the organ once sat and the stories still breathe.” Episode 500 turns the mic on founder Khary Frazier, with Kahn Santori guiding a deep dive into why this platform became the safe space for stories of contemporary Legacy Black Detroit. Khary maps his roots—“Rosa Parks, Linwood, Davison, Dexter”—and how a choir-director grandmother and entrepreneurial parents, shaped a curiosity that became a catalog. In 2014 at Le Petit Zinc: “I wanted to introduce people to the Detroit I know,” from Malik Yakini and D-Town Farms to The New Dance Show’s Henry Tyler, Rev. Ortheia Barnes, Sharon McPhail, and even Slow’s BBQ Owner Phil Cooley. “Detroit is clickish, but I had connections across the cliques”—into subcultures (car clubs, Hamtramck’s Eastern European community, the North End’s legendary Aknartoons) and the fractures of the 96 freeway. Khary rejects clickbait—“this ain’t the place for that”—and builds community instead: pandemic roundtables, a garden, and the Collard Green Cook-off born from a CashApp Crowdfunding campaign. He’s candid about platform attacks—“with success comes attention you don’t want”—and future films on the Detroit Phoenix Black firefighters and the New Bethel incident, linking elders’ truth to tomorrow’s archive. The heart lands where it began: “Opening this space with my Mom was my proudest moment,” a living memorial that keeps the past pulsing into Detroit’s future.
