Detroit is Different

  • Latest episode: “Queen Mother Helen Moore’s Fight for Detroit Children for Over 50 Years”
  • Latest episode: “There’s No Place on the Planet that Loves Joe Louis like Detroit, Joyce Barrow-Henderson, Daughter of Joe Louis”
  • Latest episode: “Four Cities, 29 Miles, One Detroit Story: Leona Medley on Legacy, Leadership & Green Space”

  • Latest episode: “Queen Mother Helen Moore’s Fight for Detroit Children for Over 50 Years”
  • Latest episode: “There’s No Place on the Planet that Loves Joe Louis like Detroit, Joyce Barrow-Henderson, Daughter of Joe Louis”
  • Latest episode: “Four Cities, 29 Miles, One Detroit Story: Leona Medley on Legacy, Leadership & Green Space”

Ajara Alghali, co-founder and Director of TéMaTé Institute for Black Dance and Culture, is a performance artist and thought leader at the intersection of dance and cultural representation. Drawing from her Sierra Leonean-American roots, her work highlights the connections among African people across the diaspora. The TéMaTé Institute, a social justice organization, uses dance as a tool for community engagement, focusing on dance justice and cultural equity. Inspired by the Temate dance of the Yacouba and Whêbe people from the Ivory Coast, the institute honors the joy and relationship between people and the land. The 4th Convening for Dance and Culture, featuring dance and drum workshops on October 19 and 20 at SAY Detroit Play Center and a concert with Afriky Lolo and Detroit’s House of Jit on October 19 at Detroit School of Arts, embraces the theme “Rooted in Rhythm,” symbolizing our shared rhythm and interconnectedness, much like the roots of a tree. This grassroots, artist-led, and self-funded organization works to uplift diaspora arts, and in this Detroit is Different feature, Ajara shares insights into her roots, family, and the geopolitical role of dance as a tool for tradition, spirituality, and resistance against colonialism.