“You all live in the realm of impossibility because you’ve been conditioned by Western society to understand why a thing is not possible. Unlike you, my friends, I live in the realm of the impossible.” In this rich and deeply introspective episode of the Detroit is Different podcast, community organizer and cultural educator Raúl Echevarría shares a powerful narrative of transformation, memory, and resistance through his journey from Chicago’s Puerto Rican Humboldt Park to Detroit’s vibrant but complex Southwest. With profound insight into community organizing, Raúl emphasizes the spirit and commitment it takes to truly work within and uplift neighborhoods: “You’ve got to come correct,” he says, reflecting on his own approach to entering Detroit’s unique cultural landscape. This isn’t just talk—it’s a testament to a life of praxis rooted in justice, spirituality, and cultural preservation. He unpacks his work saving the oldest Puerto Rican mural in Chicago, “The Crucifixion of Don Pedro,” noting, “We own our own shit,” affirming a community’s right to its land and legacy. Through storytelling, Raúl brings the listener into the sacred act of community dreaming, describing workshops where “memory energy” transforms defeat into imagination. He challenges the false idol of rugged individualism, reminding us that “we’ve always been collective,” and that collectivity is a form of resistance in a system that benefits from our fragmentation. From maroon communities resisting colonial empires to the reawakening of African memory through Puerto Rican Bomba, Raúl’s perspective connects dots across time, space, and struggle. “Part of the challenge for the organizer,” he explains, “is can the organizer adopt the motif of vision caster… who goes into the other realm and then convinces the people?” This episode is a masterclass in organizing as spiritual and cultural labor, where remembering itself is revolutionary.

We need to be healed as a community.” Krystal Larsosa, co-founder of the Black Marriage Movement, sits down to share an intimate and powerful journey rooted in love, healing, and transformation through marriage. Raised on the same Detroit block where she met her now-husband Jasahn at age 12, Krystal opens up about the realness of growing into womanhood in the heart of the city, the impact of protection and stability in relationships, and the vision she and Jasahn share for healing Black families through the institution of marriage. From weathering literal fires in their home to building the Black Marriage Movement from the ground up, Krystal speaks with vulnerability and wisdom on the challenges and triumphs of cultivating a love that not only nurtures a household but strengthens a community. She speaks candidly on learning the true roles of wife and mother, reshaping narratives around submission and support, and creating spaces like the Detroit Wives Club and Birth Fathers Detroit to educate, affirm, and uplift Black love. This episode is a rich blend of personal storytelling, cultural critique, and community visioning, echoing the foundational Detroit is Different mission of “healing community through culture.” Krystal’s story is more than a testimony—it’s a blueprint for rebuilding the foundation of family, legacy, and power in our neighborhoods.

We need to be healed as a community.” Krystal Larsosa, co-founder of the Black Marriage Movement, sits down to share an intimate and powerful journey rooted in love, healing, and transformation through marriage. Raised on the same Detroit block where she met her now-husband Jasahn at age 12, Krystal opens up about the realness of growing into womanhood in the heart of the city, the impact of protection and stability in relationships, and the vision she and Jasahn share for healing Black families through the institution of marriage. From weathering literal fires in their home to building the Black Marriage Movement from the ground up, Krystal speaks with vulnerability and wisdom on the challenges and triumphs of cultivating a love that not only nurtures a household but strengthens a community. She speaks candidly on learning the true roles of wife and mother, reshaping narratives around submission and support, and creating spaces like the Detroit Wives Club and Birth Fathers Detroit to educate, affirm, and uplift Black love. This episode is a rich blend of personal storytelling, cultural critique, and community visioning, echoing the foundational Detroit is Different mission of “healing community through culture.” Krystal’s story is more than a testimony—it’s a blueprint for rebuilding the foundation of family, legacy, and power in our neighborhoods.

“God said, give ’em drum machines—and see what happens.” That’s the dream Mike Huckaby shared, and it’s the heartbeat of God Said Give ‘Em Drum Machines, the acclaimed documentary by Detroit filmmaker Kristian Hill that restores techno’s true story—deeply rooted in Black Detroit creativity, culture, and resilience. “We had a grocery store on Hastings Street. My grandfather ran numbers,” Hill recalls, grounding his storytelling in generations of Detroit legacy, from his grandmother Mabel White teaching home economics at Kettering and cooking for Aretha Franklin, to DJing with friends like Al Ester and parking cars outside Cheeks while legends like Jeff Mills and Stacey Hale spun inside. The film traces the untold journey of techno’s pioneers—Juan Atkins, Kevin Saunderson, Derrick May, Eddie Fowlkes, Blake Baxter, and Santonio Echols—as Hill and his team follow the music from Detroit to Amsterdam, Japan, South Africa, and even Nizhny Novgorod, Russia, where locals called it “the Detroit of Russia” and clubs pulsed with Detroit’s sound. “We got the stars,” Hill says, referring to the Belleville Three and others, “but nobody ever tells the story.” Fueled by years of footage and shaped in long, late-night edit sessions, the documentary is not only a cinematic reclaiming of techno’s Black roots but a personal odyssey of creative purpose. “It’s not just a link. It’s an experience,” Hill emphasizes, reminding audiences that this is more than a movie—it’s Detroit history set to a beat that moved the world.

“You know Detroit is about the look, the feel, it’s a Detroit essence to the culture.” That essence radiates through Jessica Blair, the visionary behind Jessica Blair Beauty, a proudly Black-owned beauty supply store in the heart of Rosedale Park on Grand River. From learning hair care in her grandmother’s community-rooted home on Blaine Street to launching her own store after midnight shifts in psych hospitals, Jessica’s journey is one of resilience and intention. “It sounded crazy, but I felt like it was God telling me — no, this is what you need to do,” she shares. Her shop bridges tradition and trend, offering everything from natural hair essentials like TGIN to bundles and silk press staples. And she’s not just selling beauty — she’s restoring a legacy. “It was very community oriented,” Jessica remembers of her upbringing, a value now baked into her brand. Through thefts, floods, and pandemic pivots, she turned setbacks into success. Her grand opening on February 21 marked more than a business launch — it’s a celebration of Detroit beauty, Black womanhood, and the power of doing it yourself, for your people.

“I told my mama, ‘I want to take my dad to school,’ and she said, ‘Pick a man you like.’ I said, ‘Richard Pryor.’ She said, ‘All right, that’s your daddy.’” That’s how Spanky Hayes kicks off a raw, hilarious, and deeply Detroit story in his Detroit is Different interview. From dodging gang members in LA while wearing a bloody borrowed T-shirt, to his Cuban roots in Havana where “it’s like being in 1984,” Spanky brings humor and heart. His reflections on Hollywood hit just as powerfully: “To be a star, you gotta be likable—people gotta want to be around you for 30 days straight on set.” He opens up about the ups and downs of holding deals, the pain of seeing his original crew’s idea become Wild ‘N Out without the proper credit, and how he helped build it from the ground up. “We didn’t get the deal, but Nick did—and he kept his word.” Spanky also breaks down how the internet changed comedy forever: “It’s not about talent anymore—it’s about who’s posting the most.” Despite the challenges, he’s still committed to the craft: “I’m the Morpheus for Detroit comedians in LA. I’ve got the keys to the game.” With stories from backstage with MC Lyte to acting dreams sparked by Juice, Spanky blends street wisdom, comedic hustle, and cultural commentary in a way only a Detroiter can.

“My mother said, ‘You are what you say.'” Kalimah Johnson—also known on Detroit’s hip hop scene as the legendary emcee Nikki D—graces the Detroit is Different studio with a life story that echoes through generations, cultures, and communities. This deeply moving and powerful episode journeys through Kalimah’s evolution from North End storyteller and spoken word champion to founder and CEO of SASHA Center, Detroit’s leading resource for sexual assault healing centered on Black women. “Hip hop prepared me for audience energy,” she reflects, tracing her artistry back to freestyle battles with Mozzy Ski and her tenure at World One Records where “they took good care of me.” We hear of ancestral roots from the Bradley Plantation in Kentucky to Black Bottom Detroit, and we witness the impact of “culture curing and history healing.” She speaks of spiritual fortitude—“There is something spiritual and transformative about using your voice”—and boldly confronts trauma with a call for love and accountability: “Violence doesn’t have a gender. We all need a soft place to land.” The episode dives into Kalimah’s multifaceted life as a natural hair cultivator, poet, social worker, and visionary, creating sacred spaces for Black men and women to reclaim their narratives. “You can’t make sense out of nonsense,” she and host Khary Frazier agree, as they unravel the cultural, political, and personal threads shaping Detroit’s soul.

“This record is somebody’s pathway to not jumping off that ledge.” With that profound truth, Maurice “Piranhahead” Herd ushers listeners into a sonic and spiritual odyssey on Detroit is Different. A master craftsman of music and energy, Piranhahead unpacks how his Mississippi roots led through Muskegon to Detroit’s east side, eventually shaping a global funk and house music legacy rooted in community and Black excellence. From making cassette deck beats as a kid to orchestrating full string arrangements for legends, he reflects, “It’s more to life than the funk.” His stories stretch from shoveling snow at Grandma’s to jamming with Enemy Squad, to late-night spiritual calls with mentor Paul Riser. Whether recalling his Detroit studio days with Mollywop or being moved by Donny Hathaway, Piranhahead reminds us, “Some records will change somebody’s life… everything, the heart got to be there.” He challenges Detroiters not to give up their land, not to forget their sound, and to reclaim the city’s rhythm. “Detroit is heaven now… got a little hell in it though.”