Introduction

“God said, give ’em drum machines—and see what happens.” That’s the dream Mike Huckaby shared, and it’s the heartbeat of God Said Give ‘Em Drum Machines, the acclaimed documentary by Detroit filmmaker Kristian Hill that restores techno’s true story—deeply rooted in Black Detroit creativity, culture, and resilience. “We had a grocery store on Hastings Street. My grandfather ran numbers,” Hill recalls, grounding his storytelling in generations of Detroit legacy, from his grandmother Mabel White teaching home economics at Kettering and cooking for Aretha Franklin, to DJing with friends like Al Ester and parking cars outside Cheeks while legends like Jeff Mills and Stacey Hale spun inside. The film traces the untold journey of techno’s pioneers—Juan Atkins, Kevin Saunderson, Derrick May, Eddie Fowlkes, Blake Baxter, and Santonio Echols—as Hill and his team follow the music from Detroit to Amsterdam, Japan, South Africa, and even Nizhny Novgorod, Russia, where locals called it “the Detroit of Russia” and clubs pulsed with Detroit’s sound. “We got the stars,” Hill says, referring to the Belleville Three and others, “but nobody ever tells the story.” Fueled by years of footage and shaped in long, late-night edit sessions, the documentary is not only a cinematic reclaiming of techno’s Black roots but a personal odyssey of creative purpose. “It’s not just a link. It’s an experience,” Hill emphasizes, reminding audiences that this is more than a movie—it’s Detroit history set to a beat that moved the world.

“You know Detroit is about the look, the feel, it’s a Detroit essence to the culture.” That essence radiates through Jessica Blair, the visionary behind Jessica Blair Beauty, a proudly Black-owned beauty supply store in the heart of Rosedale Park on Grand River. From learning hair care in her grandmother’s community-rooted home on Blaine Street to launching her own store after midnight shifts in psych hospitals, Jessica’s journey is one of resilience and intention. “It sounded crazy, but I felt like it was God telling me — no, this is what you need to do,” she shares. Her shop bridges tradition and trend, offering everything from natural hair essentials like TGIN to bundles and silk press staples. And she’s not just selling beauty — she’s restoring a legacy. “It was very community oriented,” Jessica remembers of her upbringing, a value now baked into her brand. Through thefts, floods, and pandemic pivots, she turned setbacks into success. Her grand opening on February 21 marked more than a business launch — it’s a celebration of Detroit beauty, Black womanhood, and the power of doing it yourself, for your people.

“I told my mama, ‘I want to take my dad to school,’ and she said, ‘Pick a man you like.’ I said, ‘Richard Pryor.’ She said, ‘All right, that’s your daddy.’” That’s how Spanky Hayes kicks off a raw, hilarious, and deeply Detroit story in his Detroit is Different interview. From dodging gang members in LA while wearing a bloody borrowed T-shirt, to his Cuban roots in Havana where “it’s like being in 1984,” Spanky brings humor and heart. His reflections on Hollywood hit just as powerfully: “To be a star, you gotta be likable—people gotta want to be around you for 30 days straight on set.” He opens up about the ups and downs of holding deals, the pain of seeing his original crew’s idea become Wild ‘N Out without the proper credit, and how he helped build it from the ground up. “We didn’t get the deal, but Nick did—and he kept his word.” Spanky also breaks down how the internet changed comedy forever: “It’s not about talent anymore—it’s about who’s posting the most.” Despite the challenges, he’s still committed to the craft: “I’m the Morpheus for Detroit comedians in LA. I’ve got the keys to the game.” With stories from backstage with MC Lyte to acting dreams sparked by Juice, Spanky blends street wisdom, comedic hustle, and cultural commentary in a way only a Detroiter can.

“My mother said, ‘You are what you say.'” Kalimah Johnson—also known on Detroit’s hip hop scene as the legendary emcee Nikki D—graces the Detroit is Different studio with a life story that echoes through generations, cultures, and communities. This deeply moving and powerful episode journeys through Kalimah’s evolution from North End storyteller and spoken word champion to founder and CEO of SASHA Center, Detroit’s leading resource for sexual assault healing centered on Black women. “Hip hop prepared me for audience energy,” she reflects, tracing her artistry back to freestyle battles with Mozzy Ski and her tenure at World One Records where “they took good care of me.” We hear of ancestral roots from the Bradley Plantation in Kentucky to Black Bottom Detroit, and we witness the impact of “culture curing and history healing.” She speaks of spiritual fortitude—“There is something spiritual and transformative about using your voice”—and boldly confronts trauma with a call for love and accountability: “Violence doesn’t have a gender. We all need a soft place to land.” The episode dives into Kalimah’s multifaceted life as a natural hair cultivator, poet, social worker, and visionary, creating sacred spaces for Black men and women to reclaim their narratives. “You can’t make sense out of nonsense,” she and host Khary Frazier agree, as they unravel the cultural, political, and personal threads shaping Detroit’s soul.

“This record is somebody’s pathway to not jumping off that ledge.” With that profound truth, Maurice “Piranhahead” Herd ushers listeners into a sonic and spiritual odyssey on Detroit is Different. A master craftsman of music and energy, Piranhahead unpacks how his Mississippi roots led through Muskegon to Detroit’s east side, eventually shaping a global funk and house music legacy rooted in community and Black excellence. From making cassette deck beats as a kid to orchestrating full string arrangements for legends, he reflects, “It’s more to life than the funk.” His stories stretch from shoveling snow at Grandma’s to jamming with Enemy Squad, to late-night spiritual calls with mentor Paul Riser. Whether recalling his Detroit studio days with Mollywop or being moved by Donny Hathaway, Piranhahead reminds us, “Some records will change somebody’s life… everything, the heart got to be there.” He challenges Detroiters not to give up their land, not to forget their sound, and to reclaim the city’s rhythm. “Detroit is heaven now… got a little hell in it though.”

“Detroit deserves to be known for its spirit—grit, grind, hustle, love.” With this rallying cry, mayoral candidate Jonathan Barlow sat down with Detroit is Different for a powerful, deeply rooted conversation that stretched far beyond politics and into the soul of a city. From the foundational lessons of his grandfather, Reverend Joseph B. Barlow—a pastor turned community pillar in Ecorse during the turbulent years of Detroit’s rebellion—to the political tutelage under Rev. Dr. Fred Sampson at Tabernacle Baptist Church, Barlow’s path has been paved with purpose. “Tabernacle was the epicenter,” he shared, reflecting on the church’s revolutionary role in shaping faith-based activism. His memories of walking alone through Montgomery summers, under the watchful spirit of his grandmother who worked on Maxwell Air Force Base, illustrate a childhood forged by trust and responsibility. “I was a point guard—I always knew it was about building teams, not being the star,” Barlow said, tying his Renaissance High School athletics to his community organizing ethos. Through reflections on his mother’s work behind the scenes on Detroit’s school board and his own campaigns to pass citywide legislation—like the 2017 cannabis ordinances—Barlow paints a vision of leadership grounded in legacy and people-power. “Anybody can change the law,” he insisted, echoing his commitment to civic education and community action. And as millions pour into Detroit’s political race, Barlow declares, “I’m betting this election on the people.” His campaign might be underfunded compared to others, but the depth of his roots, the clarity of his vision, and his unshakable belief that Detroiters deserve more, make this interview one of the most compelling Detroit is Different conversations to date.

“When I said I wanted to bring horses to Linwood, people started clapping before I could even finish the sentence.” David Silver’s journey from Westchester County, New York to Detroit’s 12th Street-Davidson area is anything but typical—but it’s also exactly what makes his work with Detroit Horse Power so impactful. On this episode of Detroit is Different, Silver reflects on a life shaped by horses, privilege, and a growing awareness of inequity. “I grew up in a bubble,” he admits, describing his upbringing in an affluent community where he had access to elite horseback riding training. But when Teach for America brought him to Burns Elementary on Grand River and Greenfield, his world expanded—and so did his mission. “I had students who were persevering through life every single day, but didn’t realize that was a strength.” He saw firsthand the character traits needed to thrive—resilience, empathy, confidence—and began to connect them back to his own experiences with horses. The result: a vision for a program that introduces Detroit youth to equestrian life while building essential life skills. “You fall off a horse, you get back on. That’s life.” With community support and a forthcoming $12 million equestrian center being built in Hope Village on the former Paul Robeson Academy site, Silver is literally transforming empty space into a sanctuary of possibility. “This ain’t Mr. Ed,” he jokes. “This is about power, about confidence, about trust.” His 10-year journey to this point has been one of endurance and evolution, driven by community relationships, the guidance of Detroit elders, and a powerful belief that “every kid deserves the chance to say, ‘what else can I do?’” This conversation is a deep dive into how culture, education, and nature can intersect to heal communities.

In this powerful two-part conversation, Detroit is Different welcomes Carlos Nielbock—master craftsman, historian, and visionary artist—to explore his transatlantic journey of forging identity through the skilled trades. “I’m a child of occupation,” Carlos begins, recounting how he was born in Germany to a Black American GI and a German mother, in a time when their union was illegal. At 24, he came to Detroit seeking his father and instead discovered “a kinship with everybody I encountered” and a calling rooted in Black life and community. Carlos reflects on his early days squatting in abandoned buildings, discovering Detroit’s architectural jewels, and turning ruins into sanctuaries. “What I saw was chaos, but inside it—liberty, creativity, and survival.” He talks about the Fox Theatre restoration—his first major project—and the value of old-world craftsmanship: “You can’t 3D print what I do. You have to live it.” His artistry blends the sacred with the practical, shaped by monastic blacksmithing and Detroit hustle. “I’m not here to make weapons; I’m here to make beauty that outlives generations.” Joined by co-author Paul Draus, Carlos shares the story behind their new book, Forging Identity, a chronicle of craft, culture, and community. He speaks passionately on uplifting Detroit’s youth through skilled trades and the legacy of Detroit’s historic architecture: “Detroit used to be the Paris of the Midwest. We can bring that back—not with gentrification, but with education, empowerment, and our own hands.”