In this powerful two-part conversation, Detroit is Different welcomes Carlos Nielbock—master craftsman, historian, and visionary artist—to explore his transatlantic journey of forging identity through the skilled trades. “I’m a child of occupation,” Carlos begins, recounting how he was born in Germany to a Black American GI and a German mother, in a time when their union was illegal. At 24, he came to Detroit seeking his father and instead discovered “a kinship with everybody I encountered” and a calling rooted in Black life and community. Carlos reflects on his early days squatting in abandoned buildings, discovering Detroit’s architectural jewels, and turning ruins into sanctuaries. “What I saw was chaos, but inside it—liberty, creativity, and survival.” He talks about the Fox Theatre restoration—his first major project—and the value of old-world craftsmanship: “You can’t 3D print what I do. You have to live it.” His artistry blends the sacred with the practical, shaped by monastic blacksmithing and Detroit hustle. “I’m not here to make weapons; I’m here to make beauty that outlives generations.” Joined by co-author Paul Draus, Carlos shares the story behind their new book, Forging Identity, a chronicle of craft, culture, and community. He speaks passionately on uplifting Detroit’s youth through skilled trades and the legacy of Detroit’s historic architecture: “Detroit used to be the Paris of the Midwest. We can bring that back—not with gentrification, but with education, empowerment, and our own hands.”
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